DE Weekly: Bad Faith, Sartre’s Waiter, & Who Are We?
I have mentioned Jean-Paul Sartre's idea of mauvaise foi––“bad faith”––in countless newsletters over the years, as it is a crucial concept to understand when discussing such Existentialist ideas as the burden of choice, authenticity, and radical freedom. But, what does bad faith actually look like in action? And, what are its consequences?
Sartre defines bad faith as a self-deception whereby we either convince ourselves or allow ourselves to be convinced that we lack the freedom necessary to escape the anxiety of being through exercising our personal responsibility to do so.
DE Weekly: Aestheticism, Wilde, & The Picture of Dorian Gray
“I sent my Soul through the Invisible, Some letter of that After-life to spell: And by and by my Soul return’d to me, And answer’d: ‘I Myself am Heav’n and Hell.’” This poem from the Rubaiyat of Omar Khayyam is repeated in a film I watched this past week, the 1945 adaptation of Oscar Wilde’s The Picture of Dorian Gray.
The poem is read throughout the movie by the film’s namesake, Dorian Gray. Sitting for a portrait painted by his friend Basil Hallward, Dorian meets Lord Henry Wotton, a man who lives only for pleasure, and suggests to Dorian that men should pursue only their sensual pleasures.